Stefan Gierowski (21 May 1925 – 14 August 2022) was a Polish painter and an avant garde artist of post-war Poland.
For many years he was a professor at the Academy of Fine Arts in Warsaw where he earned numerous distinctions. He abandoned representational and realist painting midway through the 1950s and devoted himself entirely to abstract and optical effects. Acknowledging the concreteness of materials and colors, the artist, by his own admission, is mostly intrigued by the dual nature of light, how light is enclosed within a painting and yet somehow escapes it. According to the artist, each painting has a structure and a framework based on physical laws until it leaves the studio and becomes an enigma, at the disposition of the viewer, who discerns its content through a combination of emotional response and introspection. His paintings hang in major galleries in Europe, the United States and many other countries throughout the world.
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R.I.P Stefan
Early years
Stefan Gierowski was born on 21 May 1925 in Częstochowa, but grew up in Kielce, where soon after his birth the Gierowski family moved. He came from a family of intellectuals, his father, Joseph Gierowski, was a doctor whose passion for painting played an important role in cultivating his son's artistic talent. Artistic traditions in the family were also strongly present thanks to the figure of Antoni Gierowski, Józef's uncle, who was a nineteenth-century painter and drawer. Patriotic traditions were equally important for the education of the young artist. From an early age, he showed interest in painting and a desire to perfect himself in it. After the outbreak of the Second World War, Stefan Gierowski together with his mother Stefania joined the Union of Armed Struggle (Polish: Związek Walki Zbrojnej, ZWZ), and later the Home Army (Polish: Armia Krajowa, AK) and actively participated in underground activities under the pseudonym "Hubert". In 1941, at the age of 16, he began underground artistic education under the supervision of Andrzej Oleś, a well-known Kielce watercolourist, which he was forced to interrupt in 1944 because of his relocation to the Częstochowa Inspectorate.
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R.I.P Stefan
Study period
After the dissolution of the Home Army, Gierowski moved to Cracow, where he began parallel studies at the Academy of Fine Arts and the Faculty of Art History at the Jagiellonian University. The experience of studying art history proved to be crucial for young Gierowski in broadening his thinking about painting and art, thereby opening him to modernity. Under the supervision of Wojsław Mole, he wrote a seminar paper entitled "Impressionism as part of French culture". Initially, the artist studied at the school of Prof. Władysław Jarocki, but after passing the clandestine classes conducted by Oleś, he was transferred to the third year. He studied in the atelier of Zbigniew Pronaszko, a former formist, as well as Karol Frycz, where he studied painting in architecture and created stage designs. Classes and conversations with Frycz familiarised Gierowski with the art of Young Poland. He also met Jerzy Panek, Zbigniew Grzybowski, Stanisław Wójcik and Andrzej Wróblewski in his studio and at university. During his studies, he established cooperation with the social and literary weekly magazine "Wieś", publishing an article on modern art, as well as illustrating subsequent issues.
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Activity in the artistic community After completing his studies, in 1948, Gierowski returned to his hometown of Kielce, where he began working as an advisor for art in the Culture Department of the Provincial Council. He also ran an art campfire at the Association of Polish Artists and Designers (Polish: Związek Polskich Artystów Plastyków, ZPAP). In 1949 the artist was offered a job as a technical editor of the "Wieś" magazine, which resulted in his move to Warsaw. In June of that year, an accidental meeting between the artist and Władysław Strzemiński took place at the National Museum in Poznań – fragments of Strzemiński's texts on "Theory of Seeing" and unism were published in the "Wieś" magazine. The next years are the heyday of family life: a marriage with Anna Golka and the birth of their two children – daughter Magdalena and son Józef. At that time, the artist also illustrated novels by his friend, also a Kielceer, Edmund Niziurski – for example 'Księga Urwisów'. In 1951, Gierowski began working for an Artistic and Graphic Publishing House in the portfolios and albums department. In 1955 he took part in the International Exhibition of Young Artists at the Zachęta National Gallery…
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Personal life and death
From 1996, Gierowski lived and worked in Konstancin-Jeziorna, near Warsaw. He died on 14 August 2022, at the age of 97.
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Bibliography
Zagrodzki, Janusz (2005). Stefan Gierowski (in Polish). Galeria Prezydencka. ISBN 978-8389389855.
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Work information
STANISLAW FIJALKOWSKI, STEFAN GIEROWSKI Sopot, State Gallery of Art, 2 August – 25 August 2002